Showing posts with label licence to kill. Show all posts
Showing posts with label licence to kill. Show all posts

12 August 2014

Double Oh Zzzzzzz...

As a mini-project within a project, I'm still working my way through all of Ian Fleming's James Bond novels and I have now finished 'Octopussy, the Living Daylights and Other Stories'.  It was another AudioGo audiobook, this time read by Loki himself, Tom Hiddleston.

'Octopussy and The Living Daylights'
by Ian Fleming
(Vintage, 2012)
This short collection includes four stories.  In 'Octopussy', a psychopathic Major finally gets his just rewards courtesy of the local wildlife, while 'The Property of a Lady' appealed to my love of shiny things as the plot revolves around the auction of a rare jewelled FabergĂ© sphere.  Bond takes on an unlikely Russian sniper in 'The Living Daylights'.  Finally, the collection concludes with '007 in New York', about... erm... James Bond in New York. This is read by the author's niece, Lucy Fleming,

Unfortunately, things didn't go well between me and this book from the start.  I fell asleep while listening to 'Octopussy' and had to replay it again from the beginning to catch up.  In retrospect, I'm not surprised, because it's not really a James Bond story (it just happens to have James Bond in it) nor is it a great short story.  It's plodding and predictable and I've come to expect more now I've encountered so much great work from Mr Fleming.

'The Property of a Lady' left me surprised and disappointed as the complex set up didn't deliver the plot twist I expected, while '007 in New York' felt a bit like a fan-focussed Easter Egg, a secret extra for the eyes of real obsessives only.

The best of the four was definitely 'The Living Daylights', a story which draws the reader into the working life of a jobbing double-0.  It opens up the the events leading up to the assassin's gunshot, the tedium of waiting, the meticulous planning, the risk of getting caught.  It had tension and provided insight into a character that we all think we know.

'Octopussy and the Living Daylights
and Other Stories'
by Ian Fleming.
(AudioGo, 2012)
I felt a bit sorry for Tom Hiddleston really.  He didn't have as much to work with as some of the other actors who have narrated CDs in the 007 Reloaded series, but that didn't stop him trying.  He clearly had a lot of fun voicing Major Dexter Smythe in 'Octopussy', although it did make me smile a couple of times.  I couldn't help being reminded of Kulvinder Ghir in the 'Goodness Gracious Me' Coopers/Kapoors and Robinsons/Rabindranaths sketches.  Both probably had the same inspiration.

Overall, I would recommend this as a curiosity, something to read so you can say 'I've read all the James Bond books'.  It's not got the energy of the other stories I've listened to so far, so in a way, here, Mr Fleming is a victim of his own success.  I'm hoping it's just a blip and that Bond will be back on form for 'Thunderball'.  After all, James Bond will return...

Related Posts

'Casino Royale'
'Live and Let Die'
'Dr No'
'For Your Eyes Only'

28 February 2014

Bond, but Not as we Know Him

Cue the theme music!  I've just finished an audiobook of 'For Your Eyes Only' by Ian Fleming, part of AudioGo's 007 Reloaded series and read by Samuel West.

'For Your Eyes Only' by Ian Fleming
Read by Samuel West (AudioGo, 2013)
'For Your Eyes Only' is a collection of five short stories featuring nigh legendary British Secret Service agent James Bond.  The book includes familiar and unfamiliar titles 'From a View to a Kill', 'Quantum of Solace', 'Risico', 'The Hildebrand Rarity' and, of course 'For Your Eyes Only'. Telling tales of mysterious murders and personal vendettas, double-crossers and drug barons, exotic locations and discrete offices, these stories take you into a world you thought you knew, then shows you there is so much to Bond, James Bond.

I love short stories and this collection is one of my favourites so far.  The stand out piece is definitely 'Quantum of Solace'.  Forget the awful film, if you read no other work by Ian Fleming, read this.  It's subtle, it's heartbreaking and has a twist in the tail that tied the whole thing up beautifully.  As a result, I'm really looking forward to reading more by Mr Fleming and have high hopes for his other books.

I'm a great fan of Bond films and was a bit worried that the character of the novels would be so hard and impenetrable that I would be put off completely.  I knew that the film plots bear little, if any, resemblance to the books that share their titles, so that difference didn't come as a surprise.  To be honest, in some instances it was a relief, but if you wanted reviews of Bond films, you'd be reading a different blog!

The stories and the films will always draw comparisons, but I'm glad to say that the things that define a Bond film are all present and correct; exotic locations, beautiful women, rich living, vile villains and, of course, our savoir faire secret agent.

Far from a character assassination that put me off Bond, this book has made me more interested in him.  The great strength of these stories (and, I hope, the books I have yet to read) is that they let you get inside the head of the character.  We hear his thought processes and get a glimpse of the cold and analytical outlook he has on the world.  It's fascinating.  Suddenly Mr Kiss Kiss Bang Bang is more than just a bored, vain, playboy assassin.

'For Your Eyes Only'
by Ian Fleming
(Vintage, 2012)
I enjoyed listening to 'For Your Eyes Only' as an audiobook and the interview given by the reader, Samuel West, at the end was quite interesting, although it would perhaps be more useful to trainee actors than readers.  Some may dislike the lack of music and sound effects, but this appealed to me as really all I wanted was the book read to me.  That's what I got and it meant I could use my own imagination, just as though I was reading it for myself.

So, if you're a reader and a fan of escapist action-adventure stories like the James Bond series, I think you'll enjoy this book in either format.  Like many a Bond girl, 'For Your Eyes Only' has certainly left me wanting more and I can't wait to read/listen to more by Ian Fleming.

Now, what next?